…Or do they? The companion collection to Me-Time Tales is devoted to men curious by nature or life-style, but it’s invaded by certain women…
Something different! Short stories that surprise, pique and intrigue.
Curious Men. These short stories delve into the minds of a variety of curious men: hooked on meteorites, tractor parts, foreign parts, own parts— “stories that may be sober, bizarre or cunningly funny…Highly recommended.” San Francisco Review of Books.Kobo?Other Ebook?
Many people have curious habits, weaknesses, features, beliefs—even feelings. One or two stories are bleak, some bizarre, one even uplifting, and you’re sure to chuckle (if guiltily) at others.
This short story collection is certainly not erotica; hardly a glimpse of bare flesh– but a subtly dark edge instead. Most, at first, seem light-hearted; then there’s the twist. After finishing the book, readers have second thoughts about the characters.
Ideal holiday reading – you’ll lie back enjoying the lives of women you think you know and feel elated that you’re away from it all. Kobo?Kindle?
The paper-back — neat enough to slip into a handbag or breast pocket — is available in bookshops and on Amazon. It makes a good present for a friend, mother-in-law or male colleague. It can be a silent comment: you’ll know a woman in here! Some use it to make a point about the recipient…
A top 100 Amazon reviewer said of the short stories “…their hallmark of wry humour reminds me of a female, modern-day Saki.”
In the collection, you’ll encounter obsessive women, an array of fish, a pile of hot money, a loving mattress, a mangy dog, a range of bras and a prosthesis. I hope each story will perk up your commute or dispel your night-time preoccupations, and send you to work or to sleep with an uneasy smile of recognition on your face.Do enjoy, do write a review.
I wrote about this short story in a previous post Unlikeable character – makes you read on. I’ve just updated the e-bookand reminded myself (slight shock) that I’d written horror rather than just crime.
Which writer was it who said we only know what our novel is about once it’s finished? A long time, and many thousands of words later, I remembered this because I’d had that flash of recognition: potential…how it can work both ways.
I’ve written non-fiction, historical fiction and short stories, often humorous, but I never expected to write horror. Sometimes your story runs away with you and you find it lands in a different place from the one you expected. To do this justice means writing in his shoes, that boy you come to fear.
It was seeing each news flash of school shootings and the consequent
analysis of the boy responsible that started me on this path. I’d been
painfully aware of the several times in my work as a psychologist I’d
been asked to assess strangely difficult kids and/or school refusers and
witnessed the same anomie and alienation that these perpetrators
I created a character of a different age, imagining a potential
perpetrator younger, more accessible, adding something positive – a
potential event for saving the boy from causing disaster. But it worked
the other way.
In attempting to walk in Jake’s shoes, I’d almost unwittingly written
a story of horror. Although I’ve had very positive reviews, including a
long-listing from Fish and a winner’s accolade from Bloomsbury, I had
every sympathy with a 1-star reviewer on Amazon who said it was the
nastiest thing he’d ever read.
It seems likely that many writers find they’ve ended up with a story they hadn’t predicted.
Here’s the beginning of mine: ‘I
think I once killed a man and I don’t know why. The bloke lay at my
feet, dead. I don’t think I knew him but I couldn’t look at his dead
face and they didn’t make me. I’d never seen a dead person and I didn’t
want to.’ The word ‘dead’ obsesses Jake when he’s ten.
If you’d like to read more about Jake and walk in his shoes, there are some free copies for the next readers who join my Readers List.
Story Fridays are held every second month in Bath, UK. Six or seven writer-performers read freshly-minted stories inspired by a theme, this time Speed of Light. The packed audience heard stories intriguing, exciting, sad, straight and downright hilarious.
I was very happy that another of my short stories was one of these: The Find. It was not written at the speed of light, however. If you write about meteorites you have to find out about them. This certainly took time, especially as I have no geology in my background. This tale was about the finder who became a – wait for it – meteoriticist, (takes practise to say!) It’s the story of how a young man turns tragedy into obsession and how that obsession separated him from “a peopled life”.
It was read by talented actor, Kirsty Cox. You can judge here how brilliantly Kirsty performed my tale.
Mine was only one of the stories read, the packed audience enjoying a wide range of content that evening from talented writers using sci-fi, romance, humour to interpret SPEED OF LIGHT in their own ways.
(Story Fridays, A Word in your Ear in conjunction with Kilter Theatre, are the creation of the talented playwright and short story writer, Clare Reddaway.)
I didn’t ask the other authors how long they took to write their stories, but this is relevant because there’s currently a great deal of interest in writing a great many books in a short time to ensure (attempt) a very good income (Anderle). That has sparked a great writers’ debate around quality versus quantity and, in effect, whether everyone can write at the speed of light, or what may seem like it to those who need a couple of years or more to complete one novel.
Writing a huge number of books in a short space of time? Well, it’s been done, it’s being done. Usually there are characters who appear in different adventures/situations in each book, with the genre being closely defined – e.g. urban fantasy. There may be a close similarity of structure, characterization and plot within the books in the series. It fits with a life-style that demands instantaneous gratification.
This writing is at the opposite end of the scale to writing Flash Fiction which may be read in a flash but can take many attempts to whittle away the word count. This means heavy investment in word choice and serious consideration of meaning.
Short stories – that is stories of 1,000 words upwards – are different in many ways and different to write. There’s more to discuss as shown on sites such as Shortstops, Tania Herschmann’s website. How long does it take to write a satisfying story, beginning, middle, end? Something credible, because it has been properly researched. Something memorable? It’s worth asking different short story authors for the answer, which in itself depends on how the germ of the idea came to the author’s mind. More of this in another blog post.